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Art Matters Blog

April 27th, 2018

Unknown Photographer, German., around 1914–1918. Gelatin silver print, 13 x 18 cm. Anonymous Gift, 2004. 2004/303.2 © 2018 Art Gallery of Ontario.

The First World War was a time of violence and destruction. It was also a time of rapid changes in technology for the military and aviation. Photography’s technology also evolved. A new AGO exhibition, Photography: First World War, 1914–1918 , on now as part of the Derek Lam 10 Crosby Long Sleeve VNeck Blouse With Pleated Hem Looking For Cheap Price Outlet Authentic Sale Online With Paypal Free Shipping Shop For f4XMSgZZAq
highlights the fascinating role photography played in the war.

The millions of photographs taken by military officials, press agencies, soldiers and civilians made the First World War the most photographed war up to that point in history. The AGO has nearly 500 albums from this period thanks to a collection, generously donated in 2004 by a private collector, which features images from different sides of the conflict including British, French, German, Canadian, Austrian, American, Australian, Italian, Czech and Russian. Many of the photographs were developed confidentially as highly classified records, offering views of war rarely seen.

Ernest Haghe, , from Album of the 6th Brigade Royal Air Force, 1916 – 1919. Album: 88 silver gelatin prints, in bound fabric. Anonymous Gift, 2004. 2004/306 © 2018 Art Gallery of Ontario.

In the Edmond G. Odette Family Gallery on Level 1, the exhibition will highlight new military uses for photography. During the war, cameras were mounted on planes for the first time. Aerial photography became a new tool for surveillance and mapping territory, influencing both the operation and outcome of the war. Remember that aerial views were entirely new to viewers of that time. Soldiers had to learn how to make and read these images. And after the war, many avant-garde artists, such asLászló Moholy-Nagy and Germaine Krull, began to feature high vantage points in their work.

Ernest Haghe. .From , 1916-1919.Album: 88 gelatin silver prints. 23.7 × 26.8 × 4.7 cm. Anonymous Gift, 2004. 2004/306 © 2018 Art Gallery of Ontario.

Images of Flying Aces – a term coined during the war for successful combat pilots – were widely circulated as postcards and trading cards, highlighting pilots’ status as national heroes. There are also photographs of airplanes and zeppelins snapped from the ground and the sky. In previous wars, military photographs were often posed, but newer and smaller cameras allowed civilians and soldiers to capture spontaneous moments from the Front.

Unknown American.,around 1917-1918. Gelatin silver print, 17.5 × 23.2 cm. Anonymous Gift, 2004. 2004/514 © 2018 Art Gallery of Ontario.

In the Robert Cheryl McEwen Gallery, works by Australian war photographer James Francis “Frank” Hurley (1885–1962) will be featured. Hurley was just back from the Shackleton expedition to Antarctica when he was sent on assignment to the Western Front. His album, Australian Units on the Western Front (1916–1918), includes photographs of soldiers in action and at ease as well as the grimmer realities of war: casualties, scorched landscapes, and destroyed architecture. The increase in shutter speed allowed photographers like Hurley to capture explosions for the first time.

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Leaders in a Maine town said Sunday they will meet with their town manager, who has come under fire for espousing white separatist views.

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bashing Islam and calling for preservation of white European heritage in northern New England.

Local officials are scheduled to meet with him on Tuesday. Town lawyer Warren Shay said Sunday the town manager’s beliefs aren’t shared by Jackman officials, who intend to meet with him at Jackman Town Office at Jackman Town Office at 8:30 a.m.

“The meeting is to talk with the town manager about comments attributed to him in a number of newspapers and other media outlets around the state,” Shay said. “The beliefs reflected in those comments are not shared by any of the select persons or the Town of Jackman.”

Kawczynski didn’t return phone calls from The Associated Press. He moved to Maine a year ago and launched a group called “New Albion” to promote what he calls “the positive aspects of our European heritage” in northern New England and Atlantic Canada.

Kawczynski has said he expects to be fired over his actions, but he does not intend to quit, and he does not feel that his views on race interfere with his work as town manager. His website states that its purpose is “defending the people and culture of New England.”

The website includes essays that make the case for a voluntary separation of races, and identifies Kawczynski as “steward for New Albion.” He has also identified as a supporter of President Donald Trump.

The Jackman-Moose River Chamber of Commerce president has said businesses in the area “do not condone” Kawczynski’s views. The American Civil Liberties Union of Maine has condemned him as well.

Many social media users are taking to Jackman-related Facebook pages to call for Kawczynski to quit or be fired. Jackman is a town of about 850 people near western Maine’s border with Saint-Théophile, Quebec, about 170 miles north of Portland.

Follow the Bangor Daily News on Facebook for the latest Maine news.

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r c o n t r a s t = S S c o n t r a s t S S c o n t r a s t + S S w i t h i n ,
2
r c o n t r a s t = t c o n t r a s t t 2 c o n t r a s t + d f ,
3
r e f f e c t s i z e = S S c o n t r a s t S S t o t a l ,
4
r e f f e c t s i z e = 36 / 62 = .762
r c o n t r a s t = 36 / ( 36 + 20 ) = .8018
r c o n t r a s t = 3.795 / ( 3.795 ) 2 + 8 = .8018
r c o n t r a s t = 38.4 / ( 38.4 + 20 ) = .8109
r c o n t r a s t = 3.919 / ( 3.919 ) 2 + 8 = .8109
r e f f e c t s i z e = 38.4 / 62 = .7870
σ λ = Σ λ 2 k ,
5
σ λ = ( 1 ) 2 + ( 1 ) 2 + ( 1 ) 2 + ( + 3 ) 2 4 = 1.732.
σ λ = ( 3 ) 2 + ( 1 ) 2 + ( + 1 ) 2 + ( + 3 ) 2 4 = 2.236 ,
t c o n t r a s t ( 8 ) = 2 ( 0.765 ) + 3 ( 0.130 ) + 4 ( 1.024 ) + 7 ( 0.390 ) [ ( 0.765 ) 2 3 + ( 0.130 ) 2 3 + ( 1.024 ) 2 3 + ( 0.390 ) 2 3 ] 2.5 = 0.2260 ( .6009 ) ( 2.5 ) = 0.1844 ,
r c o n t r a s t = .0880 .0880 + 20 = .0662 ,
r c o n t r a s t = .1844 ( .1844 ) 2 + 8 = .0651 .
r e f f e c t s i z e = .0880 62 = .0377 ,
t c o n t r a s t = 2 ( 1.919 ) + 3 ( 1.024 ) + 4 ( 0.130 ) + 7 ( 3.074 ) [ ( 1.919 ) 2 3 + ( 1.204 ) 2 3 + ( 0.130 ) 2 3 + ( 3.074 ) 2 3 ] 2.5 = 14.088 3.4397 = 4.096 ,
r c o n t r a s t = 41.9 41.9 + 20 = .8228 .
r c o n t r a s t = 4.096 ( 4.096 ) 2 + 8 = .8228 .
r e f f e c t s i z e = 41.9 62 = .8221 .
S 2 = P ( 1 P ) n .
6
Z c o n t r a s t = Σ ( P λ ) Σ ( S 2 λ 2 ) ,
z c o n t r a s t = ( .20 ) ( 3 ) + ( 3.0 ) ( 1 ) + ( .40 ) ( + 1 ) + ( .30 ) ( + 3 ) ( .0032 ) ( 9 ) + ( .0042 ) ( 1 ) + ( .0048 ) ( 1 ) + ( .0042 ) ( 9 ) = .40 .0756 = 1.4548 ,
z c o n t r a s t = ( .20 ) ( 1 ) + ( 3.0 ) ( + 1 ) + ( .40 ) ( + 1 ) + ( .30 ) ( 1 ) ( .0032 ) ( 1 ) + ( .0042 ) ( 1 ) + ( .0048 ) ( 1 ) + ( .0042 ) ( 1 ) = .20 .0164 = 1.5617 ,
Table III.

Raw Data and Values Needed for Contrasts

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Table III.

Raw Data and Values Needed for Contrasts

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We again get an estimate of how well the two contrasts did by computing their alerting correlations either for our own data or in other people's data. However, we now think of the proportions ( P ) in row 4 as analogous to column means, redefining r alerting as the correlation between the proportions and λ weights. Correlating the proportions and λ X weights gives us r alerting =.632, while correlating the same proportions with the λ Y weights gives us r alerting =.707. Squaring these alerting correlations tells us in SS terms that Theory X accounted for 40% and Theory Y, 50% of the between-condition sum of squares. In other words, there is a substantial amount of residual noncontrast variation that cannot be accounted for by either competing prediction.

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((audience)) is dedicated to the advancement of aural arts by providing wide distribution and new contexts for works by emerging and established sound artists and composers.
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Lary 7 is a multimedia alchemist who coaxes profane, inscrutable sounds and images from various mysterious devices. He performed at Sound Off on June 18, 2015.
Lary 7 is a multimedia alchemist who coaxes profane, inscrutable sounds and images from various mysterious devices. He performed at Sound Off on June 18, 2015.
Joe Grimm's recent work translates light from 16mm film projectors into sound, producing erratic flickers that correspond to ambient noise. He performed at Sound Off on June 18, 2015.
Joe Grimm's recent work translates light from 16mm film projectors into sound, producing erratic flickers that correspond to ambient noise. He performed at Sound Off on June 18, 2015.
Gill Arno performed at Sound Off on Thursday, May 18, 2015. Gill Arno's project "mpld" uses modified slide projectors in a live setting. Static images from found slides pulsate and fade one into another, while the projectors' mechanical sounds are tapped and processed to reveal their musical possibilities.
Telecult Powers (Mister Matthews and Witchbeam) performed dark, rhythmic drone meditations at Sound Off on Saturday, April 18, 2015.
LoVid performed at Sound Off on Saturday, April 18, 2015. Using homemade electronic devices and DIY sculptural instruments, LoVid overwhelms the senses with new media in their audiovisual performances.
LoVid performed at Sound Off on Saturday, April 18, 2015. Using homemade electronic devices and DIY sculptural instruments, LoVid overwhelms the senses with new media in their audiovisual performances.
John Also Bennett performs at The Conquest of Saturn, a day-long festival of audio art at Grand Street Community Arts in Albany, New York.
Morton Subtnick live at Source of Uncertainty II, featuring a live quadrophonic performance of Silver Apples of the Moon and a premiere performance of Song and Dance by Morton Subotnick with visuals by Sue.C. Video by Harvestworks.
This is a stereo excerpt of The Monkey King by Barry Schrader. "The Monkey King" is an electronic music journey into the imagined past of Chinese legend, based on some of the famous episodes in the classical Chinese novel, "Journey to the West", by Wu Cheng'en. In the tradition of Schrader's "Lost Atlantis", "The Monkey King" explores an immense imaginary aural landscape. "The Monkey King" is a featured work of ((audience02)).
Loud Objects at Source of Uncertainty. Video by Harvestworks.
Clay Gold's “Airtight Orange Plastic Coffin” is a response to the horrors of the 21st century - pollution, overcrowding and the arrogance of mankind. This is a stereo sample of the 5.1 work. The work was commissioned for CFTE: Horror at Linconl Center, and is included in ((audience02)).
Carlos Giffoni (NYC) at Source of Uncertainty. South Street Seaport. Video by Harvestworks.
On June 5, 2010, MV Carbon and Tony Conrad played the NYC premiere of ((audience)) at Ramiken Crucible

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